The title track of the album came next, and again we had pizzicato work on the cello on Morning After. There was a pretty guitar run and hook on Flying and an expansive cello break on Bluebell, before Natasha closed her set with Mean Girl, formerly recorded with Pooka.

Mean Girl is a song that Natasha also lent and performed in Honour And Reputation, a play written and performed by the local All Across The Arts writing group at Darwen Library Theatre earlier in the year. Mean Girl has a dramatic lyric and chorus, and in many ways is not a typical Natasha Lea Jones song. She seems less to construct her songs than to allow them free to meander towards their own tune. This refreshing approach releases beautifully melodic lines to weave in and out of her songs as seemed to me to happen so frequently in the first two and best two albums by Gomez. Many of Natasha’s songs, although sharing quite that bluesy, country feel, capture that great artistic joie de vivre that epitomised the early Gomez.

As the audience filed out at the end of a full day’s music programme I could hear only very positive mutterings about Natasha’s set and Mean Girl in particular.

I would suggest, though, that there are things she still has to learn as a solo-performing artist. Her verbal communication with her audience didn’t begin until two songs from the end, when a couple of cool stories about Bob Dylan and Adam Ant (two artists you are unlikely to ever see again in the same sentence!) showed how engaging she can be.

As a writer and performer of so many uplifting songs she could do to smile more on stage. With a voice that soars like an eagle and swoops like a swallow she is a wonderful vocalist and a fine guitarist, with much to smile about.

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